Jale erzen biography of albert

ough I’ve thought of myself as a painter almost since the age of ve, it wasn’t easy to dive into the basics of art education at the Art Center College of Design. Understanding all the artists such as Rembrandt, Michelangelo, Rubens, and the like, which I thought I knew since childhood, was like plunging into an in nite ocean. I realized that one needs to grasp the language of painting, and especially art, from diverse perspectives. I saw that subjects such as color, mass, space, volume, motion, and composition could not be understood in terms of a single value judgment and that, over time, readings can be interpreted in di erent ways. Today, however much I do prefer certain types of art and artists over others, I still try to understand all types of art and believe that there are no normative and universal values in art and culture. Nevertheless, as my own art evolved, I came to realize that whatever the historical and social values and formal choices nourishing art, ultimately, wha

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